LIMINA is built on non-attachment: the narrative is not fixed, and the form is never predetermined. Light, shadow, and color gather into brief states—like inhalation and exhalation—emerging and dissolving in a rhythm that cannot be held. || The project explores soft organic forms, allowing them to condense into volume or break apart into luminous fragments. Everything is born and dies, only to be reborn again—an endless cycle of movement closer to breathing than to a finished image. || Bright color becomes a challenge to the very nature of decay: even in the moment of dissolution, there remains an energy that pushes life forward. LIMINA is not a story or a metaphor, but an observation of a process in which disappearance and emergence hold equal force.